No results found

Waterperry web banner fxs4dz
What's On, Culture, Music, Interviews

Lustin’ for Justin

divider
xx

Justin Hawkins is most widely known as the flamboyant, falsetto-voiced frontman of British rock band, The Darkness, who will be performing this summer at Cornbury Festival’s ‘Last Hurrah’ (8 – 10 July). In addition to his prodigious musical career, he has become a popular YouTuber and his channel, Justin Hawkins Rides Again, is a deep-dive into all things music-related. Be warned, you could lose yourself for some time in his softly-spoken (and often melodious) meditations on the industry.

Thank you so much for giving us your time. I’ve been researching this by watching Justin Hawkins Rides Again. Do you film these from your home? 

Yes, I film the Rides Again episodes from my YouTube studio… the area of my house formerly referred to as ‘the spare bedroom’.

You analyse a lot of other musicians and also play their music, which is a joy to hear. Who would be a dream collaborator? 

  I’m very much in love with the songs of Ron Sexsmith, the guitar playing of Richard Thompson, and the voice of Miley Cyrus. But I’m not fussy really, I just love music.


What or who are your main musical influences, and have they changed much over the course of your career? 

I was brought up on reggae, folk, disco and rock. We had early and thorough introductions to Queen, Fleetwood Mac, ABBA, Sex Pistols, The Stones etc. My family appreciates music, and I’ve always tried to listen to a broad range of artists across genres. Rock was always my true love though.

Where did the falsetto come from? Does it need to be nurtured? 

  It’s just a natural, effortless part of my range to sing in. I think a person’s vocal range is determined by anatomy, and their ability to control it comes from talent and hard work. I’m very lucky to have a distinctive singing voice and I warm up thoroughly every time I use it.  

You have a dedicated following but with so much new music and so many new definitions of musical genres, how would you position yourself and/or The Darkness in 2022? 

  The Darkness are part of a dying breed; it’s too easy to make live music with pre-recorded elements, amplifier simulators, click tracks etc. Rock and roll should be played by human beings, through dangerously loud and difficult-to-control amps. When you watch a modern rock back close up, there’s nothing on stage that generates any volume except the drums. There’s nothing about that which excites me. Come and see The Darkness and you will witness the true Power of Rock as rock should be done. Faces will melt. And hearts.

How do you hold on to your sense of self when you have such a huge hit early on in your career? And, how do you see yourself now? 

I have probably not changed that much over the years. I’m less angry than I was, and I have found new, less self-destructive ways to express my frustrations. But in essence, I’m still the same Jussy, with a prodigious work ethic and a passion for the ridiculous.

Talk to us about your style… 

I work closely with a clothing designer called Angela Bright. She works in the Hollywood Movie Films and I’m very lucky to have the opportunity to collaborate with her. We’ve gone through some brilliant phases; Safari, Cowboy, French Aristocracy, Cannonball Run temptresses, etc etc, but the real constant is The Catsuit. I have always worn one during Darkness shows, and you have my solemn promise that I always shall.

You’re a very sexy man - how much sex do you have and to what extent does sexuality fuel your performance? 

   This is the most sex-orientated question I’ve ever been asked. Firstly, let me thank you for these flattering remarks. I don’t feel good about a performance unless there’s been sweat and euphoria involved, with two or more consenting adults sated by the whole affair. Doing concerts is fun too.

Your face has been described as lick-able, your magnetism is palpable, what do you smell of? 

Patchouli oil, Ambergris and victory.

Finally, what can fans expect from Cornbury? 

Expect to have your face melted off by Britain’s leading purveyors of quality rock-based music.

The Darkness play the final Cornbury Festival on Friday 8 July at Great Tew Park, Oxfordshire  cornburyfestival.com

RECOMMENDED

Autumn 1080x1080 z1atub
Fri 1 Nov 2024

This month The North Wall welcomes an ambitious staging of the first of writer Ali Smith’s critically acclaimed Seasonal Quartet, Autumn. Shortlisted for the Man Booker Prize in 2017, the novel is set in the immediate aftermath of the Brexit referendum and explores the interior worlds of 30-something Elisabeth and her cherished friend, Daniel (believe to be somewhere around 101 at last count).

Clay Brown Julie Rodrigues Rosalind Holley Lucy Muigai. Photo Credit   Mykola Romanovskyy min lfihky
Wed 16 Oct 2024

In September, the largest-ever gathering of B Corps took place at the inaugural Than Words Festival in Oxford. The organisers' aim was to harness the power of people using business as a force for good, put ideas into action and tackle the issues that matter.

Andrew Gilmour Berghof Foundation Portrait 424 2 3 fdyuai
Fri 4 Oct 2024

Andrew Gilmour speaks to me from Berlin where he is the Executive Director of the Berghof Foundation, an organisation dedicated to peacebuilding and conflict resolution around the world. He’s just come back from a holiday in his native Scotland which, he smilingly informs me, was apparently the only place not blessed with sun.

 DSC0714 Edit lhivmm
Thu 3 Oct 2024

Yvette Fielding started her working life as an actor and at the age of 18 became the youngest presenter on the popular BBC children’s TV show, Blue Peter. Over the course of her career, she has become synonymous with ghouls and hauntings as the frontwoman of paranormal shows including Most Haunted and Ghosthunting With…